Download De Luxious Font Family From Java Pep

Give a touch your project to make it look classy and outstanding with De Luxious font. This font is perfect for logo, personal branding, branding identity, signature, etc, and can make today awesome. De Luxious includes uppercase, lowercase, numeral, and punctuations, as well as multi-lingual support for 15 languages (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanish, Swedish, Zulu ) Thanks for using this font. If you have any problem, don't hesitate to give me a message java.indonesian@yahoo.com. Have nice a day.

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Download HKF Gold Queen DLC Font Family From Harry Kasyanov

Download HKF Gold Queen DLC Font Family From Harry Kasyanov Gold Queen is a vintage font family with features opentype with extension svg. Perfect for the vintage tattoo studio logos, barbershops, alcohol labels and many other. Includes a full set of character A-Z, numerals, and punctuation. Product content: HKF Gold Queen Regular - (OTF) HKF Gold Queen Drop line - (OTF) HKF Gold Queen Drop shadow (B&W) - (OTF) Color fonts (available only with Adobe illustrator CC 2018 and Photoshop CC from 2017) HKF Gold Queen Drop line (color) - (OTF SVG) HKF Gold Queen Drop shadow (color) - (OTF SVG) Download HKF Gold Queen DLC Font Family From Harry Kasyanov Download Now View Gallery

Download Cloudbuster Font Family From K-Type

Download Cloudbuster Font Family From K-Type Cloudbuster is K-Type’s take on the mid twentieth century style of extra condensed slabs/moderns inspired by Imre Reiner’s Corvinus Skyline of 1934. Unusually, Cloudbuster has a printed-look softness, courtesy of very slightly rounded corners throughout, so it looks a little less harsh than similar typefaces. The font is an imposing display face with elegant, unfussy letterforms and a generous x-height. Download Cloudbuster Font Family From K-Type Download Now View Gallery

Download Oddlini Font Family From sugargliderz

Download Oddlini Font Family From sugargliderz Inside my head, there are a number of forms of Sans Serif typefaces, and I cannot put aside any single one of them. Even if they were in the way of the reading process, I still think they form splendid letters. For me, when I hear for example "Sans Serif", then immediately Helvetica comes to my mind, even though I don't think that it is the best Sans Serif out there. Of course it is a great typeface, but I believe that one should not be fixated on the association of Sans Serif = Helvetica. It is just that Sans Serif goes hand in hand with Helvetica after all, and I don't think it is exaggerated to say that everyone throughout the world would agree. In my head there is no conflict about this either, and I readily agree with this thinking. However, just because of that I don't necessarily spend time studying Helvetica in detail and analyzing its subtleties in order to progress

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