Download Alethia Next Font Family From Pepper Type

Alethia Next is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types of modern style. Alethia Next comes in 7 weights + matching italics and upright italics, each supporting numerous Latin-based languages as well as major Cyrillic languages including Bulgarian local forms. It is packed with OpenType features like ligatures, small caps, and numerous alternatives.

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Download HKF Gold Queen DLC Font Family From Harry Kasyanov

Download HKF Gold Queen DLC Font Family From Harry Kasyanov Gold Queen is a vintage font family with features opentype with extension svg. Perfect for the vintage tattoo studio logos, barbershops, alcohol labels and many other. Includes a full set of character A-Z, numerals, and punctuation. Product content: HKF Gold Queen Regular - (OTF) HKF Gold Queen Drop line - (OTF) HKF Gold Queen Drop shadow (B&W) - (OTF) Color fonts (available only with Adobe illustrator CC 2018 and Photoshop CC from 2017) HKF Gold Queen Drop line (color) - (OTF SVG) HKF Gold Queen Drop shadow (color) - (OTF SVG) Download HKF Gold Queen DLC Font Family From Harry Kasyanov Download Now View Gallery

Download Cloudbuster Font Family From K-Type

Download Cloudbuster Font Family From K-Type Cloudbuster is K-Type’s take on the mid twentieth century style of extra condensed slabs/moderns inspired by Imre Reiner’s Corvinus Skyline of 1934. Unusually, Cloudbuster has a printed-look softness, courtesy of very slightly rounded corners throughout, so it looks a little less harsh than similar typefaces. The font is an imposing display face with elegant, unfussy letterforms and a generous x-height. Download Cloudbuster Font Family From K-Type Download Now View Gallery

Download Oddlini Font Family From sugargliderz

Download Oddlini Font Family From sugargliderz Inside my head, there are a number of forms of Sans Serif typefaces, and I cannot put aside any single one of them. Even if they were in the way of the reading process, I still think they form splendid letters. For me, when I hear for example "Sans Serif", then immediately Helvetica comes to my mind, even though I don't think that it is the best Sans Serif out there. Of course it is a great typeface, but I believe that one should not be fixated on the association of Sans Serif = Helvetica. It is just that Sans Serif goes hand in hand with Helvetica after all, and I don't think it is exaggerated to say that everyone throughout the world would agree. In my head there is no conflict about this either, and I readily agree with this thinking. However, just because of that I don't necessarily spend time studying Helvetica in detail and analyzing its subtleties in order to progress

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